La Pelea

Direction
Violeta Ayala
Country
United States, Bolivia, Australia
Format
Feature film
Type
Documentary
Original title
La Pelea
Film presented in Toulouse

Cocaine Prison

Scenario
Violeta Ayala

Violeta Ayala

Filmography

1. – Cocaine Prison 2017, 78 min,  (Official Selection Toronto International Film Festival 2017. Best of Fest IDFA 2017. Competition Habana Film Festival 2017. )

2. – The Fight 2017, 28 min (Winner Walkley Award for Best Cinematography 2017, Australia. Winner DW Doc Dispatch Award, Sheffield Doc Festival 2017. Winner Best Short, International Human Rights Festival 2017, Sucre Bolivia. Winner Best Documentary, Diablo de Oro Festival 2017, Oruro Bolivia. Nominated for Best Short International Documentary Awards, Los Angeles 2017. Nominated Sony Impact Award, Rory Peck Awards, London 2017.

3. – The Bolivian Case (Special Presentation Hot Docs 2017. Audience Award Sydney Film Festival 2015. Competition Habana Film Festival 2017. Competition Lima Film Festival 2017. Nominated Premios Platino 2016. Nominated Premios Fenix 2016)

4. – Stolen (Official Selection Toronto International Film Festival 2009. First Time Competition IDFA 2009 + 80 Festivals. Winner of 16 awards)

Note of intent

Few blocks from my apartment in Cochabamba, people with disabilities were protesting for months. Then one day I saw them hanging from a bridge in their wheelchairs and couldn’t watch from a distance any longer. We started to follow their journey, it was an intense time, we walked with them for 35 days over the mountains and then camped on the streets of La Paz for another three months. The Fight, is a film about human relationships, about leadership and the political rights of a group of citizens

Synopsis

People with disabilities are amongst the most discriminated in Bolivia, with the majority living in dire poverty. Fed up with being ignored, a group of them decide to take their fight to the streets, demanding a monthly pension of $76. When social worker Feliza Ali, and her husband and lawyer Marcelo Vasquez take the lead, the protest grows into a movement. Embarking on an unimaginable journey, that sees them march 260 miles over the Andean mountains in their wheelchairs to go toe-to-toe with the Bolivian government.

Visual concept

The Fight is a multilayered film, driven by the characters, they’re witty and passionate and their humor will prevail over the most violent scenes. We are shooting simultaneously with two cameras filming scenes in verité style. The narrative will be created with intimate footage of the characters’ journey, intertwined with our personal encounters with undercover spies and police, to show the control and intimidation by the government over press freedom, along with official state propaganda to illustrate how public opinion is shaped.

Objectives sought in Films in Development

Co-production, Distribution, Funding.

Shooting planned date

2018

Planned shooting location

Cochabamba & La Paz, Bolivie

Percentage of funding in place
261,306.44 (48%)
Project's development phase

Dévelopment
 

Production
United Notions Film
Producer's biography

Daniel Fallshaw is a Walkley Award winning filmmaker, who makes films to shift the balance of power. Fallshaw’s credits include BETWEEN THE OIL AND THE DEEP BLUE SEA (2006), STOLEN (2009), THE BOLIVIAN CASE (2015), COCAINE PRISON (2017) and THE FIGHT (2017). His films have premiered at the Toronto International Film Festival, IDFA and Hot Docs, appearing on PBS, Amazon, Netflix and winning numerous awards.