Diálogo (en)

Diálogo

Selection:

Cinéma en développement 14 / 2019

Director:

Celina Murga

País:

Argentina
Francia

Format:

Long-métrage

Tipo:

Documentaire

Guionista(s):

Celina Murga

More informations about director

Biografia del director:

Celina Murga (Parana, 1973) is a director and producer, graduated from the University of Cinema of Buenos Aires. Her feature-lenghts, Ana and the others (2003), A week alone (2008), as her documentary Normal school (2012) have been selected in many festivals. Her last movie, The third side of the river (2014), was in official competition in Berlinale and has been produced by Martin Scorcese.

Filmografía principal del director:

Ana and the Others (2003)
Venice (Critic´s Week), Rotterdam, Toronto, San Sebastian
A Week Alone (2008)
Venice (Venice Days), Thessaloniki, Rotterdam, Los Angeles
Normal School (2012)
Berlinale (Forum), London, Bafici, Ficunam
The Third Side of the River (2014)
Berlinale (Offical Competition), San Sebastian

Nota de intención:

From my point of view, dialogue is able to bring peace. I believe that everyone, who has found peace, could change and have a positive impact on his environment. Buddhism uses the concept of the lotus flower, an extremely beautiful flower able to grow in the muck. I believe that prisons could be this “muck” in which everyone, being more empowered, could blossom as an actor able to create peace all around him.

Sinopsis:

Mariana and Alberto are lawyers and work for an official program of mediation in prisons. In there, they lead working groups to give a speaking time to the prisoners to change the climate of violence in which they live. Mariana is warm and instinctive, and that brings her to be personally involved in every conflicts. She comes back home every evening, distressed by others’ stories and pain, shaken in her own beliefs. Alberto, on his side, is enough patient and tactful to find a solution for each problem. Mariana and Alberto are different but they complement each other and they are a team. This film is the story of their constant commitment to face the conflicts which appear suddenly in prisons but also in their relations with their own administration, where bureaucracy, personal interests and lack of funds affect the mission they want to carry on.

Concepto visual:

The film will belong to "observational cinema" style. There will be no interviews, nor voice over. The camera will record reality, even if in some cases, situations will be pre-established. We will work mostly with static shots and daylight, at the heart of situations, waiting for the conflicts to happen, with no dramatization of the visual aspect. I don’t want to make the prisons more beautiful but give a report on prisoners’ daily life and mostly, on faces’ dramatic power.

Más informaciones

Objetivos buscados en Cinéma en Développement:

We would like to present the project to potential co-producers, world sales agent, distributors, looking for supports and feedbacks.

Fecha de rodaje prevista:

Between june and december 2019.

Locaciones previstas para la grabación:

Buenos Aires

Percentage del financiamento obtenido:

16 000€ (14 %)

Presupuesto:

111 000 €

Estado de la escritura del proyecto:

Writing

Productora:

Tresmilmundos Cine

Biografia del productor:

Juan Villegas (Buenos Aires, 1971) made his debut as a director in 2001 with Sábado. In 2004, he founded Tresmilmundos Cine with Celina Murga and became her producer. Las Vegas, his last feature-lenght was released in 2018.
Pierre-André Belin (Toulouse, 1970) did law and political studies before joining Toulouse cinema school (ENSAV) in 1995. He produces fictions and documentaries for Baton Rouge.

Perfil de la productora:

Tresmilmundos Cine was created in 2004 to develop auteur-film productions in Argentina. It is focused on the work of filmmakers who could reach international audiences and markets.
Baton Rouge was created in Toulouse in 2008 with the ambition to collaborate with new talents, produce creative documentaries and promote international co-productions.

Coproduction:

Bâton Rouge

Elementos que quiere añadir:

I always admired Celina’s ability to tell stories coming from the personal and the particular but always in relation with a social context, which determine the characters’ behaviour. In Diálogo, we find this characteristic again, to concern a concrete social issue in a very difficult context. We think that this film can bring a very precise look on the Argentinian society. But we believe also that an international audience can see in Diálogo a reflection of the problems in their own countries.

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Director:

País:

Format:

Tipo:

Guionista(s):

Biografia del director:

Filmografía principal del director:

Nota de intención:

Sinopsis:

Concepto visual:

Objetivos buscados en Cinéma en Développement:

Fecha de rodaje prevista:

Locaciones previstas para la grabación:

Percentage del financiamento obtenido:

Presupuesto:

Estado de la escritura del proyecto:

Productora:

Biografia del productor:

Perfil de la productora:

Coproduction:

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