Marcos is in jail in a prison in Buenos Aires, Argentina. In the middle of the pandemic, his most precious possession is a mobile phone that his girlfriend Sol smuggled to him into jail. With it, Marcos records and sends me videos. Together we make this film that is his portrait, but also mine. Through this clandestine exchange, All or Nothing narrates Marcos' life in prison and his love story with Sol. A relationship that for Marcos represents the hope of a better life, for which he bets on everything or nothing. So when that love comes to an end, Marcos becomes a man who has lost everything. Even the promise of a future.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a B-movie with vampires.The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

Carabalí is an Afro-Colombian leader who is currently in exile. After receiving countless death threats from armed paramilitary groups in his region, he had to leave his community to protect his life. Far away, alone, in refuge and exile, he is invaded by doubt if the fight was worth it. But it is also from that distance that he strives to maintain contact and strengthen the bonds that bring him closer to his family, his community and the struggle. That is where he finds the answers to his doubts and reaffirms that the fight, his fight, must continue from whatever location he is in.

The daily life of a Brazilian family whose members are prevented, due to their struggle for survival, from hearing their griefs and affections.

In Valparaíso’s prison, inmates’ human rights are violated on a daily basis. A cultural program allows a group of inmates to go back home through virtual reality experiences. Ariel (20) has a terminally ill mother, Cueto (45) dreams of seeing his nieces again, Mr Claudio (54) is an outsider who misses the sea and Franco (26) is desperate to finish his sentence and reunite with his son. They live different experiences and are helped by the others who create the best environment possible, a contrast to the abuse of the prison guards, which they learn to cope with together. Their last VR experience is collective, they all virtually attend Franco's wedding after he finishes his sentence. They moved around like they were dancing, contrasting with the cold walls of the prison surrounding them.

César (68) is a night watchman in a factory. One afternoon he receives a letter from his sister. She has sold the family plot of land in the mountains where his wife's ashes are buried. He decides to leave his job and travel to the countryside to retrieve them. On his way he loses his money. Determined to get there, he continues his journey on foot through the mountain trails he knew as a child. Among pine forests he discovers the house of Antonia (69). He spends a few days there working where he discovers photographs of the construction of the dam in which his family participated. On his way he sleeps in the forest and dreams of old illustrations of plants he collected as a child. He continues on and when he reaches his land he sees the tree that houses the ashes engulfed in flames.

Stories of love and heartbreak marked by tragic events are intertwined in Imaza, a territory whose river delimits the border between two worlds that do not meet. Alberto Tiwi and his wife go to the Judiciary. Because he participated in an indigenous protest, he faces a trial that can sentence him to life imprisonment. His great fear is not that he will be condemned, but that he will be separated from his wife. They arrive at the school that is in danger of disappearing due to the rising water level of the river. They are received by teacher Segundo, who has proposed to measure the depth of the water so that what he loves most is not destroyed. There is also a history of heartbreak. Haydée, a student who wants to flee to avoid the suicide due to love pains that have marked the women of the Awajún people.

Yeka, a 13-year-old girl, is forced to enter adulthood after a stray bullet kills her best friend. Due to impunity for those who shot her friend, Yeka starts her own investigation. Through Vanyelinna, a twelve year old girl who befriends her, she infiltrates a dangerous drug dealer's family who are considered guilty, only to find out that her suspicions are based on prejudices and that they are a loving and supportive clan who help her in her mourning process. When Yeka begins to develop feelings for the family, she finds out that the stray bullet was shot by a young member of the clan. She will have to decide if she accuses them or stays quiet. After all, justice is not as simple as its looks.

In the near future in San Jose, part of the population lives in walled communities, hires armed security nannies, and trains their children in kid’s shooting ranges. A 65-year-old grandma wounds her hand trying to shatter the glass of the car in which she mistakenly locked her granddaughter. That one mistake will cause the child's mother, who is part of the generation that lives in fear, to feel her mother is old and incapable of taking care of her child. She will be forbidden from seeing her granddaughter, and that will trigger a series of unfortunate events that will lead her to do things she never thought she would ever do. These things won’t be achievements precisely, but they will be her own personal way to show them the love for her granddaughter and that she is still of use.